The Obamas Decorated with Finds from Crate & Barrel, Pottery Barn, and Anthropologie, According to a New Book About Their White House

The Obamas Decorated with Finds from Crate & Barrel, Pottery Barn, and Anthropologie, According to a New Book About Their White House

If you’re longing to escape to a time when the “People’s House” was not akin

If you’re longing to escape to a time when the “People’s House” was not akin to a militarized island surrounded by tall metal fencing, consider the new book about the interior design of President Barack Obama’s White House, publishing September 1.

Written by Michael S. Smith, the designer that Barack and Michelle tapped for the decorating job (with help from Margaret Russell, former editor-in-chief of Architectural Digest), “Designing History: The Extraordinary Art & Style of the Obama White House” takes readers room by room through Smith’s overhaul of the former First Family’s private residence. Michelle Obama wrote the book’s foreword.

Though Smith, of course, goes into detail about wallpaper and textile selections, art choices, and furniture sourcing, the book also includes a fair amount of White House history and behind-the-scenes trivia.

Here are some of the most interesting tidbits.

*Smith got the interior design gig thanks to Desirée Rogers, the longtime friend of the Obamas who served as White House social secretary. A close friend and client of Smith’s lived in the same Chicago apartment building as Rogers, and made the connection.

*Nancy Reagan was a confidante leading up to the redesign, spending hours on the phone with Smith, walking him through various aspects of the White House. One four-hour call took place in the middle of the night for Smith, since he was in Paris and Reagan was in Los Angeles.

The Obamas used the Yellow Oval Room of their residence to entertain dinner guests.

*About a month before Barack Obama’s inauguration, Smith got to take a trip to the fabled White House support facility where unused furnishings and decor are stored. Its location is a secret—Smith writes that he intentionally never learned the address. He had big expectations. Alas, he writes that it was a disappointment: “I soon realized that nearly everything of great quality or historic value is actually already inside the White House.”

In the Family Sitting Room, a Sean Scully painting on loan from the National Gallery of Art hangs over a sofa by Roman Thomas.

*Though the real redesign wouldn’t take place until after the Obamas had moved in, it was up to Smith to at least get the essentials in place on Inauguration Day, during the tight window of time that the family was out of the White House. He writes that the final thing he did that day was place a gardenia in a bowl of water on both Michelle’s and Barack’s bedside tables. He thought the scent might help calm them, and remind them of Hawaii.

In the master bedroom, Smith writes that President Obama was reluctant about the canopy bed, but ultimately told the designer, “If Michelle wants it, then we can have it.”

*The Obamas paid for the decoration of the family quarters themselves, using royalties from the President’s two books. Smith tried to consolidate as many furniture shipments as possible as a cost-saving measure.

*Though the redesign included plenty of high-end and custom pieces, Smith also turned to some familiar, budget-friendly sources. He incorporated ikat print throw pillows from Crate & Barrel, candleholders from Pottery Barn, accessories from Anthropologie in Sasha and Malia’s rooms, and even playroom furniture from Walmart.

In the second floor Center Hall, Smith used 1960s-style upholstery and a midcentury coffee table. Hans Hofmann’s “Staccato in Blue” (background) and Sam Francis’s “White Line” (foreground) were on loan from the National Gallery.

*Speaking of the Obama daughters: After the family settled in, Smith got a call from Michelle, asking if he could quickly send her alarm clocks for the girls. She’d discovered that they’d been requesting wakeup calls from the White House operator. The girls were also expected to make their own beds every morning. Smith writes: “I will always have a soft spot for Sasha and her incredibly savvy, pragmatic view—she slept in just half of her bed after realizing it would then take half as long to make it in the morning.

The Third Floor Corridor stretches almost the full length of that level of the residence.

*Though Smith focused largely on overhauling the Obamas’ private residence, he also updated some of the White House’s public areas. One of the first additions he made to the Oval Office: the wooden American Shaker bowl on the coffee table. Smith writes that he asked the staff to keep it filled with apples: “Not only were they healthy, but the bowl was beautiful, the gesture was welcoming, and there was a sense of utility to it. It reflected the Obama mindset.” Indeed, the apple bowl became something of an icon of the Obama Oval.

*The Obamas were frequent guests at Smith’s own house in Rancho Mirage, California. The home is in a double-gated community, near the top of a mountain, so privacy and security were no problem. Rumors even circulated that the Obamas were shopping for their own house in the area, but Smith says that was never true.

The book publishes Tuesday, September 1.

Senior Editor

Marisa M. Kashino joined Washingtonian in 2009 as a staff writer, and became a senior editor in 2014. She was previously a reporter for Legal Times and the National Law Journal. She has recently written about the decades-old slaying of a young mother in rural Virginia, and the brazen con of a local real-estate scion. Kashino lives in Northeast DC with her husband, two dogs, and two cats.

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